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Thoughts from the Plant/Krauss show in Nashville

Saturday, July 19, 2008

A few thoughts occur to me as I sit in the back of the Sommet Center tonight for my fifth show of the Raising Sand 2008 tour.

One is that the band is being somewhat adventurous with the set list, continually tweaking it: adding songs, substituting others. The medley of Plant's "I'm in the Mood" and the traditional "Matty Groves" (familiar to Fairport Convention fans) is still a crowd favorite, having entered the set midway through the tour. And "When the Levee Breaks"/"Girl from the North Country" returned to the encore set tonight.

Plant remarked afterward that they try to play it differently every night, to the point that they don't always finish together. Tongue firmly in cheek, he asked the crowd if they ever have that experience.

Further set alterations: "Green Pastures" has been sacrificed, and tonight they debuted a Carter Family tune with Alison on vocals. She proclaimed it was only yesterday that T Bone Burnett suggested they play "Wildwood Flower" and she was nervous about performing it for the first time to her home audience. Well, she really needn't worry, with that overly capable band behind her. Stuart Duncan in particular shines on this number, playing the mandolin.

Robert Plant also has a new solo song now. It was my first time hearing him cover "Nervous Breakdown" by Eddie Cochran, and his imitation of the singer was perfect. It wasn't a crowd pleaser for some reason though. I'm wondering if they "got it." Some suspect this song was a lyrical and possibly musical influence on Led Zeppelin when writing "Communication Breakdown" for their first album.

Plant's vocal improvisations are taking center stage on the bluesy Led Zeppelin original "Black Country Woman" and the Townes Van Zandt album closer "Nothin'," which Robert remarkably makes his own with every performance.

For Plant, performance-wise, the highlights of the show still seem to be those two tunes and his fitting duet with Alison, "The Battle of Evermore." These are truly incredible numbers, and it's great to hear the Nashville audience recognize them too.

One final note about the show, since this is my fifth time seeing it, is that the band is really improving with each performance. The rhythm section, drummer Jay Bellerose and bassist Dennis Crouch, proves its worth night after night responding to Plant's vocal improvisations. This was most evident at the end of "Nothin'" tonight when Robert let out a litany of "come on, come on, come on" and Crouch followed. Bellerose was adding rhythmic emphasis on the verses, accentuating Plant's singing. Don't hate me for saying this is tight but loose! It really is!

Hey you! You on the West Coast! You have the chance to "Boogie with Stu" and the rest this autumn! Go! I'm telling you!

3 comments:

Lightning 100's Lt. Dan said...

Made it to the show last night and agree with you that people should check it out on the west coast. I can't believe there was an empty seat in the house last night. Guess tickets were not cheap, but that was one amazing show!

RPF said...

They actually performed Wildwood Flower for the first time the night before at Rupp Arena. Lexington is a big Alison Krauss mecca, too, and they loved it. And they also seemed to really get into Nervous Breakdown. I think it was the "Elvisness" of it.

Steve Sauer said...

Oh, I stand corrected. Alison did say it was only "yesterday" (which was Friday) that T Bone suggested playing that tune, which I took to mean they hadn't done it live yet. Alison led me to believe this was the song's premiere onstage, but she didn't actually say it was.
A note about attendance: I did see some empty seats. I was next to one of them. I had just arrived to the venue when I was sure (from experience) the set must have just begun, based on time. And I asked a group of people if they had an extra ticket. They did. It was a comp ticket in section 224, the club level. It was the very back of the place. I walked in to the tune of "Through the Morning, Through the Night" and settled in. Section 224 and the one opposite the aisle from me were largely empty, as they are basically the worst seats in the house (a city block away from the stage). But the rest of the whole place was packed!

Led Zeppelin Reunion


Photo courtesy of Simon Keeping

The surviving members of Led Zeppelin regrouped in 2007, with Jason Bonham on drums, to perform a year-end tribute to Ahmet Ertegun. Their widely praised concert was witnessed in person by fewer than 20,000 people. It is likely never to be repeated, and there are no announced plans to release the concert for home viewing. However, clicking the image above will bring up multi-cam footage of the entire Led Zeppelin performance as it happened on Dec. 10, 2007, at the O2 arena in London.

Many posts on LedZeppelinNews.com have centered on the possibility of a full-scale Led Zeppelin reunion, noting particularly the inaccuracies reported by the popular press.

Page


Jimmy Page stars with fellow guitarists Jack White and The Edge in this guitar documentary, directed by Davis Guggenheim ("An Inconvenient Truth"), which had widespread theatrical showings beginning in August.

LedZeppelinNews.com provided a review of "It Might Get Loud" at that time.

"It Might Get Loud" will be released on DVD and Blu-Ray on Dec. 22 in the United States. Click here to pre-order on DVD or Blu-Ray. Prior to this, "It Might Get Loud" will be available on iTunes for two weeks beginning Dec. 8.

- What else should I know about "It Might Get Loud"?

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Plant


Just prior to the Led Zeppelin reunion concert in 2007, Robert Plant released the album Raising Sand with Alison Krauss. Their partnership has been the subject of much critical and commercial success, including victories at the Grammy awards two years in a row.

A follow-up to that album has been in pre-production, but Krauss's current priorities are new recordings and eventual touring with her signature band, Union Station. Progress on the second Plant/Krauss album is anticipated following the completion of the Union Station tour.

More recently, Plant entered the studio with famed U2 producer Daniel Lanois for some recording sessions, the nature of which has not been disclosed.

Following the breakup of Led Zeppelin, Plant went on to a rewarding career as a solo artist. He released six albums of his own between 1982 and 1993, two collaborative albums with Jimmy Page between 1994 and 1998, and two more solo albums since that time. Yet until Raising Sand, his biggest commercial success came in releasing an EP of classic cover material under the name The Honeydrippers.

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Jones


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One album was released in November, and another is forthcoming. A tour of North America completed in November, and the band now heads to Europe in December and Australia in January.

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Jason Bonham


Jason Bonham, son of the late John "Bonzo" Bonham, does not take lightly the responsibility of carrying on his father's legacy. Having made a head start at drumming while he was a child, Jason is now passing on the same lessons to a third generation of Bonham drummers.

John Bonham's death in 1980 left such an impact on the surviving members of Led Zeppelin that they knew immediately they could not continue as they were. Yet Jason Bonham's familiarity with the band made him a shoe-in to join his father's bandmates on the few occasions reunion concerts have taken place.

This year marked the 20th anniversary of Bonham's most successful album release to date, the Platinum-certified disc The Disregard of Timekeeping released by his band, Bonham. To mark the milestone, he recently toured with a new band and played under the banner of "An Evening with Jason Bonham."

In the past, Bonham has also toured and/or recorded with Jimmy Page, Robert Plant, Foreigner, UFO, Paul Rodgers, Joe Bonamassa, Virginia Wolf, Airrace, Healing Sixes and Motherland. He also acted in the movie Rock Star and appeared on the reality TV show "SuperGroup."

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